Justice Served Assingment

I was quite impressed with some of the acting presented in the three short plays during Justice Served. While some of the actors’ acting was better than others, I still never felt that any part of the play was forced or fake, as I did during parts of Monsieur Baptiste.

The first actor I was rather impressed with, was OOshene Fox, who played the protagonist Delia Jones. What impressed me most about Fox’s acting was her ability to make facial expressions that truly matched what I would expect someone to look like in the same situations. Fox’s mannerisms and the look upon her face during the scene at which she first encounters the rattlesnake in her house is a perfect example of how she embodies the characters fear of snakes. The way Fox jumps and falls backwards towards the ground reminds me of how I would feel in the same situation (replace the snake with a spider, however). The fear that she tried to show was very real, and I felt the tension and nervousness throughout the entire scene (in a good way.)

Another actor I was extremely impressed with was Milbre Burch who played Mrs. Wright in the one-actor short play Sometimes I Sing. What really impressed me with Burch’s acting, was her voice and the way she really kept her captivating tone throughout the entire play. What I mean by this is that Burch’s almost-quiet voice was filled with so much emotion and power that my attention was hers for the entire duration of the play. While this may not sound like something spectacular, for me, someone who has the attention span of a goldfish, this really is something. One scene in particular that really left me in awe was the scene in which Burch describes how her husband wrung her prized canary. The way Burch’s seemingly calm voice really “yells” her emotional strain and the way her hands and face dripped with pain and anger not only left me with shivers, but gave me Goosebumps that lasted for a good five minutes.

Lastly, I was extremely impressed with the direction of the short play Triffles. The play, directed by Cheryl Black, was a pleasant trip into a time almost forgotten. Having read the play prior to the show, I was interested in how Black would translate the show onto the small stage that the Corner Playhouse provided. I am happy to say that with the space provided, Black did a very adequate and fulfilling job. The blocking and spacing that Black created also really helped my impressed reactor to the play. For instance, the way the characters entered and exited the stage was impressive considering the limited spacing that Corner Playhouse provided. Another thing about the directing in Triffles impressed me, was the way the characters filled the space inbetween their lines. For instance, the natural movement that Mrs. Peters and Mrs. Hale had on stage between their lines (when their character wasn’t talking) and the way that they really filled the space with movement and mannerisms really made me feel that the nervousness and raw feeling that the characters felt in the play.

In The Heights

As far as design for In The Heights goes, I was really impressed with how well the set, the lighting, and the blocking design all came together, especially considering how this is a touring show, and no two stages are alike.

As soon as I walked into the theater, my eyes were instantly drawn to the elaborate and complex set. What could have easily been accomplished with paint and backdrops had been replaced with impressive three-dimensional and texture based elements. What I mean by this is that the brick buildings really showed their texture, whether they were real brick or not, I still had the impression that they were real. Another impressive part of the set was Usnavi’s store, which was complete with a real awning and a swinging door. All these aspects, when combined, really helped make me feel like I was in Washington Heights. Set designer Ana Louizos really went to great lengths to ensure that the audience really felt like they were in the neighborhood with the cast. Aside from the elements listed above, the multiple levels of the set really added to its depth and helped make the stage seem a lot bigger than it actually was, which is also quite impressive.

Another design element that really impressed me was the lighting. Besides the standard floodlights, I was really impressed by the small and detailed lighting that occurred throughout the show. For instance, when the scenes changed throughout the day, the audience was able to tell profession in the day due to the lighting on the backdrop of the stage. If it was day, the backdrop was light heavily with white light. If it was mid-day and afternoon, the lighting on the backdrop was moved slightly up to symbolize the suns positioning. At dusk, the light changed to a light orange-amber, and at night, a moon-looking light shone upon a otherwise dark backdrop. While these things may seem small and easily looked over, I found this slight transition to be one of the more visually pleasing things throughout the show. Another lighting design element that I rather enjoyed were the fireworks during the 4^th of July scene. Not only did the lights move to represent fireworks shooting off, but there was also a bright flash followed by a “pop” noise to symbolize a firework going off; very impressive.

Finally, I was extremely impressed with the blocking design throughout the various scenes and musical numbers. I felt that the dances were not only choreographed extremely well (the show was re-choreographed and re-directed for travel by Michael Balderrama) but I really felt the hustle and bustle of the neighborhood due to the specific positioning of the characters in both the fore and back ground of the stage. For instance, when the cast was signing “96,000” and they were moving from the front of the stage to the back as well as people popping in and out of the balconies, I really felt like they were traveling throughout a neighborhood. The use of the intricate blocking, combined with a spectacular and extremely detailed set really sealed the deal for my imagination, allowing me to truly appreciate all In the Heights had to offer.

Plot Summary: A group of Dominican immigrants in a lower-class New York City neighborhood try to survive the every-day trials and tribulations of life. But when a chance to escape the lower class life arises not all are quick to jump the gun.

Idea Summary: Even though life may be hard and look gloomy, an quick escape may prevent you from getting what you really wanted, as it most likely been in front of you the entire time.

Response to Money in Art Lectures

Money. It makes the world go round, right? Maybe. But what I did get from these lectures is that money is involved in everything, even art. Not that I was completely shocked by this finding, I did find some parts of the lecture to be really interesting however. For example, one of the main points that I got from all three of the lectures is that if you love what you do, you don’t really care a whole lot about money. This is not to say you will do it for free, but more the idea that money comes second to what you love. Another main point that I got out of the lecture is that most of the money that comes from arts occurs after the artist has passed. What I think this means is that many artist do their craft without the expectation of becoming excessively wealthy, and most of the time, this unexpected wealth will come (if it ever does) years after the artist has died. Lastly, the lectures made me realize that not only can art be expensive, but also extremely expensive to produce.

One of the main things that grabbed my attention was during the theatre and money presentation. I was really shocked by how many people involved in community theatre will really perform and produce a show for little or no pay at all. It really made me think about how dedicated and devoted one has to be to be willing to receive little/no pay for an insane amount of work.

In the art presentation, I was really shocked to see how much people pay to display their art at an auction or sale. What really surprised me were the display pieces that involved nothing more than a string and a piece of paper. While I understand the idea behind the piece, it really makes me wonder who would purchase such a thing, let alone pay $50,000 to display it at an auction.

Lastly, in the music presentation, I was surprised to see how little professional musicians (orchestra) are paid. While I was not surprised by how much label companies receive, or how much of the end funds go to Top-40 musicians, I was shocked by how classical musicians actually lived pretty loftily lives (back I the day).

In popular culture, I increasingly find that money and economics are stressed as the main purpose in ones life. I am always seeing how the idea that money is happiness and that it is imperative for one to have it in order to live a happy life.

As for artists living in a capitalistic society, I think there is a place for them, but I feel that the messages that may artists try to convey are drowned out by the ideas of capitalism. I feel that many artists really could care less how much their art sells for, are really just want people to appreciate their work and understand what they are trying to say. If they have to sell their work for hundreds of thousands of dollars than I think many artist see this as a necessary evil in order to get their work out.

Blog Response to Monsieur Baptiste: The Con Ma

I rather enjoyed MU Theatre’s production of Monsieur Baptiste. For a low-budget college production, I can easily say that I was well entertained throughout the show. Having previous knowledge of what the play was based off of (Tartuffe) also helped, as it was fun to watch and be able to see how the adaption was different and similar from Moliere’s classic. While some parts of the play could have been better, such as the emphasis of the actor’s accents, other parts of the show like the set and the costume design really blew me away and made me feel like I was watching a professional production.

Starting with the negative, I was rather turned-off by what I thought to be over-the-top, and almost intrusive, accents the each character donned. While I appreciate the efforts to keep the show as realistic and historically accurate as possible, there were many times when I felt that lines were forced to sound the way they were, and I found myself silently laughing at the nature and context of certain lines. For example, there were multiple times when I was completely lost by what Madame Dominique (played by Linda Dodd) said. It wasn’t the speed at which the line was presented, but rather the emphasis of certain syllables and structured diction of her character that had me trying to dissect and analyze what had just gone into my ears. The problem with this is that I was often trying to catch-up with the dialogue after trying to figure out what had just been said. Not to single out a certain actor, because this problem was almost the same with a good majority of the cast. While I can understand and appreciate the speech director Cfrancis Blackchild effort to make the actors sounds as if they were born and raised in 19^th century New Orleans, as a director I would have probably told them to scrap the accents due to their difficult and intrusive nature on the show.

Negative aspects aside, there were things about Baptiste that I really appreciated and enjoyed. The set was one of these things. While it was a fixed set (non moving) I really appreciated the detail and complexity that the stage provided. For instance, even the little things like the pictures on the walls of character’s family members or past ancestors of the characters, or the doors that led to the courtyard in the background of the set were just some of the little things that really made me appreciate how much work and dedication must have gone into the set design. Another thing that I really liked about the set was the “courtyard” in the background of the stage. At the back of the stage, there were three doors that opened into a courtyard looking part of the stage that had various plants and statutes that gave it an outdoorsy feel. What was very cool about this part of the set was the ability to have people walk through this part of the set while still having people act in the front of the stage. A good example of this is when Dominique and her house-keeper are talking about Baptiste in the “house” part of the stage and you then see Baptiste walk through this back “courtyard.” What follows is a chilling affect that leaves the viewer almost stunned and wondering what is going to happen next.

Lastly, I really enjoyed the costumes that the actors wore. While I’m not sure how historically accurate the clothing was, I really believed that if I were teleported into 19^th century New Orleans that is what I would expect people of the higher classes to be wearing. The vibrant colors and lacey frills and puffs of the costumes really made me thing about how much time and money went into the planning and design of the costumes. Another thing I liked about these costumes were that they really grabbed the attention of the viewers. The vibrant colors really helped grab my attention and kept me focused on the actors during the duration of their lines, I rarely felt my eyes wander from the actor who was speaking at the time.

Idea Summary: In Monsieur Baptiste, the idea of stubbornness and unwillingness to believe those close to you are tangled with that of religious hypocrisy and that good eventually triumphs over evil.

Plot Summary: In Monsieur Baptiste, we meet a family who tries to convince a stubborn father that the man who he so desperately praises and looks up to is secretly a con man and is taking advantage of him. In the end, the man is revealed for who he really is, and all is restored to normal.